The hardware changes to suit the paint colour: our small chrome Britten knobs on Snow or any of our other shades, and the black-bronze version to pair with Warm Black. Two drawers give Aldwych more storage space. We use a mixture of spray-painted and hand-painted techniques, so the finish is as perfect and robust as can be. The material Aldwych is made of tulipwood, a hardwood that’s strong and hardwearing like oak, but has a fine, knot-free grain that makes a smooth surface for paint. Underneath the legs are small feet, which help to keep the paint finish from scuffing as well as protect hard flooring. There’s also a lip around the bottom shelf that does much the same thing. Kommerskollegium (The National Board of Trade.The tray-like top doesn’t lift off – it’s there to add decoration as well as keeping objects safely on the table. Frist's personal history remains lost in history. From 1810 - 1814, his studio was located on the street Storkyrkobrinken and from 1814 - 1824, he moved to the public square Riddarhustorget, in Gamla stan, in Stockholm.
In 1805, Frist received the rights to design and produce mirrors and console tables by the Kommerskollegium. Jonas Frist was a Swedish artist and designer, born in 1787, in Stockholm, Sweden and passed away in 1849. circa 1810 - 1830, Sweden, Scandinavia, Scandinavia. The end table is standing on a gilded, painted base. The edges, borders of the tall Scandinavian side table are enhanced by detailed wood carvings, supported by four round, straight golden wooden legs particularized with Egyptian figures. This late Gustavian period Swedish marble-top table, with smaller footprint of (approximately) 2.5 foot width, would make for a fabulous little entry table, an accent table for a hall/ stair landing.Ī gold, antique Swedish Gustavian freestanding console table made of hand crafted gilded, painted Pinewood in the Egyptian style with a crystal red porphyry top, designed and produced most likely by Jonas Frisk in good condition.
Note that the table height varies as it is 31" at back and 30.5" towards the front. A lower display platform (with a green faux marble hand-painted finish) shelf is positioned at underside of the table, braced just above the feet. The table is presented upon four round and fluted legs, with profiled knees, which taper gently towards their feet. With classically tapered fluted legs and carved rosettes these functional and sturdy consoles. The tops have been beautifully refinished in warm tones of gray and cream. Each corner is embellished with a large carved sunflower head just above the legs. Gustavian Pair of Late 19th Century Painted Console Tables, Sweden These Swedish Gustavian painted pair of consoles feature hand carved bases and original patina. The marble top rests upon an apron with scrolling foliate motif carved about three sides and framed within petite bead trim. This smaller-sized antique table from Sweden has a particularly beautiful marble top, rectangular in shape, in a goldenrod color. A Swedish late Gustavian petite console table, with stunning marble top and secondary platform shelf, from the late 18th to early 19th century.
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